I’m Blown Away by These Photos I Took on the Xiaomi 14 Ultra – CNET [CNET]
1 of 35 Andrew Lanxon/CNET
It packs a main image sensor that’s much bigger than those found on the iPhone 15 Pro Max or Galaxy S24 Ultra, which together with a wide, variable aperture and Leica-engineered optics, allows this phone to take some of the best images I’ve ever taken on a phone.
I’ve taken almost 2,000 images with the phone so far as part of my testing, so click through this gallery to see some of my favorite examples.
2 of 35 Andrew Lanxon/CNET
While the camera takes great photos in the auto mode, I usually shot in Pro mode in both DNG raw and JPEG, with a high contrast Leica black and white effect applied.
This is a straight-out-of-camera (SOOC) JPEG and I love the deep contrast and pin-sharp details.
3 of 35 Andrew Lanxon/CNET
Another SOOC JPEG with impressive clarity and great shadows.
4 of 35 Andrew Lanxon/CNET
I do a lot of street photography, usually in black and white, and I loved using the Xiaomi phone just as I would my usual camera. It locks focus quickly and lets me capture moments before they pass me by.
5 of 35 Andrew Lanxon/CNET
Shooting in both raw and JPEG means I get a great-looking black and white shot right out of the camera.
6 of 35 Andrew Lanxon/CNET
I can revert the raw file back to color and process it just like I would a raw image from a standalone camera.
7 of 35 Andrew Lanxon/CNET
The raw files have impressive dynamic range, too. I was concerned that the bright highlights here might be overexposed.
8 of 35 Andrew Lanxon/CNET
But I easily pulled them back and adjusted the exposure overall to create the image here.
9 of 35 Andrew Lanxon/CNET
The sky looked very blown-out here, and I was sure this image was destined for the recycle bin.
10 of 35 Andrew Lanxon/CNET
But no, the massive image sensor on the phone provides such a big dynamic range that I was able to rescue all the detail.
11 of 35 Andrew Lanxon/CNET
This shot, on the other hand, was far too underexposed, with the figures being totally lost in shadow.
12 of 35 Andrew Lanxon/CNET
But the raw gave me so much scope to lift those shadows, bringing the roller skater out of the darkness, while still ensuring the bright sky in the background didn’t become overexposed.
13 of 35 Andrew Lanxon/CNET
I edited this raw file in Lightroom to drop the shadows to create this moody shot with just a sliver of light catching the figures in the foreground.
14 of 35 Andrew Lanxon/CNET
And here I edited the raw using the same color-grading tools I would with my regular camera.
15 of 35 Andrew Lanxon/CNET
This wide-angle shot contains both very bright skies and shadowy areas inside the bus, but I’ve been able to edit the raw files to create a much more balanced scene.
16 of 35 Andrew Lanxon/CNET
I loved capturing this moment of the person shielding their eyes from the sun.
17 of 35 Andrew Lanxon/CNET
I used the zoom lens here, shooting in black and white to capture this thoughtful moment.
18 of 35 Andrew Lanxon/CNET
This person was happy to pose with their dog and I was happy to take their photo.
19 of 35 Andrew Lanxon/CNET
The phone has two optical zoom lenses, both of which have 50MP sensors. This was taken with the 3.2x lens and it’s packed with detail.
20 of 35 Andrew Lanxon/CNET
With the 5x lens, things still look pin sharp.
21 of 35 Andrew Lanxon/CNET
I digitally zoomed in further to 10x and this image still looks amazing.
22 of 35 Andrew Lanxon/CNET
The 5x zoom really helped focus my composition here.
23 of 35 Andrew Lanxon/CNET
And the zoom also let me compress this scene to focus more on the moon over London’s city center.
24 of 35 Andrew Lanxon/CNET
The ultrawide lens (again, 50MP) has done a solid job here of capturing this difficult, high-contrast scene.
25 of 35 Andrew Lanxon/CNET
And I love the wide look in black and white here, with great shadows and highlights throughout.
26 of 35 Andrew Lanxon/CNET
I didn’t use the zoom lens here, but instead cropped in later on the main lens to focus the scene on this person carrying flowers. Despite cropping into only a small portion of the full image, there’s still loads of detail.
27 of 35 Andrew Lanxon/CNET
At night, the camera’s auto mode can take beautiful shots.
28 of 35 Andrew Lanxon/CNET
The big sensor and wide aperture helps keep noise levels down.
29 of 35 Andrew Lanxon/CNET
But again I prefer switching to pro mode and going with a black and white look. By stopping the aperture down to around f/3, the phone has been able to capture these starbursts around the lights, which is something I’ve only ever been able to achieve on a regular camera with a lens set to around f/11.
30 of 35 Andrew Lanxon/CNET
I’m seriously impressed with how these night time images look.
31 of 35 Andrew Lanxon/CNET
This SOOC JPEG is dark and moody and I love it.
32 of 35 Andrew Lanxon/CNET
The raw file looks pretty decent without any editing.
33 of 35 Andrew Lanxon/CNET
But a bit of time in Lightroom and I’ve been able to transform it, brighting the scene and adjusting the color balance overall. I’m so impressed at how much information is contained in the raw files — I can edit them in just the same way I would with shots form my regular camera, without worrying about losing information.
34 of 35 Andrew Lanxon/CNET
Again, this unprocessed raw is a little on the drab side.
35 of 35 Andrew Lanxon/CNET
But it’s given me a great base to bring the image back to life like this.