Loki review: Disney Plus show is the most audacious MCU series yet – CNET [CNET]

Norse deity Loki is infamously known as the God of Mischief. So when Marvel’s version of this god gets his own show, a delicious streak of trickery will obviously run through the action. Tom Hiddleston is the perfect lead for this riotously imaginative new series, possibly the weirdest adventure in the Marvel Cinematic Universe yet. Loki premieres Wednesday, June 9, on Disney Plus, with a new episode streaming each week.

The series opens with a scene from Avengers: Endgame, in which Marvel’s mightiest heroes have time-traveled back to the events of the first Avengers movie and bumped into the God of Mischief when he was still the scamp we first met all those years ago. This past Loki hasn’t sought redemption for his villainy because that stuff hasn’t happened yet. So when this Loki scoops up a stray magical cube and uses it to escape, he sets the past on a different path. This brings him to the attention of a previously unseen agency of timecops, all set to wipe everyone’s favorite demented deity from existence — unless he turns out to be the key to a time-bending threat that could rewrite the entire MCU… 

From this opening scene, the show immediately takes a sharp turn away from you might expect from a Marvel story. Not only that, but it sets out its stall with a glorious visual that involves, perhaps appropriately, Loki getting punched in the face.

Director Kate Herron continues this quirky and audacious visual style as the series soars into boldly imaginative new directions. This is very much not the meat-and-potatoes superhero action of The Falcon and the Winter Soldier. And if anything it has potential to get weirder than WandaVision.

That’s the foundation of the show’s appeal: It is uncharted territory. WandaVision drew us in with its mystery element, which the very familiar Falcon and Winter Soldier entirely lacked. Loki takes WandaVision’s weirdness and pushes even further into a whole new myth of the MCU that feels big enough to completely shake up the whole Marvel thing (unlike previous Marvel TV shows, which were precision-engineered to not affect the big screen story at all). After a decade, it’s thrilling to see there are still some surprises in the MCU.

The first episode in particular is stuffed with information and ideas, some of them cosmically huge in scope. It would be pretty dull if the main character just wandered around asking questions. But Loki isn’t one for questions. Unceremoniously dumped into the Gobi Desert at the very start of the show, his first response is to leap on a rock and awe the puzzled locals with a grandiose godly speech. It doesn’t last long. As the show continues you barely notice the landslide of exposition because you’re too busy enjoying Loki’s blustering arrogance smashing against the baffling new reality of the Time Variance Authority.

Crucially, Loki isn’t just a tour guide. Arguably, the big-screen Loki came to the end of his journey when he made peace with Thor, so rewinding back to the original trickster from his earliest appearances gives this version somewhere to go. He begins to grow immediately, making it easier to invest in this version of Loki rather than feeling like the show pointlessly wipes away the past few years.

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